Photo editors and AI experts discuss the dangers of generative AI and other synthetic media to visual journalism — and what news organizations can do to reduce them.
GIJN’s weekly round-up of the Top 10 in Data Journalism looks at the Wagner Group’s vast corporate network in Russia, the many careers of Barbie, and Spain’s surprising election results.
GIJN member El Surtidor is a Paraguayan news organization created in 2015 that prioritizes innovation and multi-platform, visual journalism.
The Miami Herald’s award-winning House of Cards investigation of the Champlain Towers South collapse used a dynamic, multimedia scrollytelling format to take readers inside the causes of a deadly construction tragedy.
In the midst of the pandemic, some newsrooms haven’t forgotten about the issue of climate change. Our NodeXL #ddj mapping from July 20 to 26 found ProPublica partnering with The New York Times Magazine to examine climate migration and where climate refugees are moving to. On the COVID-19 front, FiveThirtyEight revealed the disparities in the availability of testing sites between Black and Hispanic neighborhoods and white areas, broadcaster RBB highlighted that the risk of coronavirus was more keenly felt by low-income earners, and the Google News Initiative and Agência Lupa communicated the impact of the coronavirus by visually putting readers at the epicenter of an outbreak.
In September 2017, the lead producer for the BBC Internet Research & Future Services, Tristan Ferne, identified 12 different story formats used in digital news. With new formats constantly emerging, Emma-Leena Ovaskainen, a visual journalist for Finland’s biggest daily newspaper Helsingin Sanomat, has modified the list and made her own additions.
