{"id":593885,"date":"2022-10-30T13:05:34","date_gmt":"2022-10-30T17:05:34","guid":{"rendered":"https:\/\/gijn.org\/?p=593885"},"modified":"2023-06-25T07:30:56","modified_gmt":"2023-06-25T11:30:56","slug":"2022-double-exposure-festivali-demokrasinin-olumu-filmleri-buyuyen-bir-tehdide-isaret-ediyor","status":"publish","type":"post","link":"https:\/\/gijn.org\/tr\/hikayeler\/2022-double-exposure-festivali-demokrasinin-olumu-filmleri-buyuyen-bir-tehdide-isaret-ediyor\/","title":{"rendered":"2022 Double Exposure Festivali: ‘Demokrasinin \u00d6l\u00fcm\u00fc’ Filmleri B\u00fcy\u00fcyen Bir Tehdide \u0130\u015faret Ediyor"},"content":{"rendered":"

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Demokrasiye y\u00f6nelik tehditleri ara\u015ft\u0131ran belgeseller, ABD’de her y\u0131l d\u00fczenlenen Double Exposure (DX)<\/a> film festivalinde hem film dizisinin hem de panel tart\u0131\u015fmalar\u0131n\u0131n ortak bir konusuydu.<\/p>\n

GIJN \u00fcyesi 100Reporters<\/a> taraf\u0131ndan sunulan d\u00f6rt g\u00fcnl\u00fck hibrit DX 2022 etkinli\u011finde, \u00fcniversite tacizinden ABD’nin Afganistan’dan h\u0131zl\u0131 bir \u015fekilde \u00e7ekilmesine kadar \u00e7e\u015fitli konularda 12 ola\u011fan\u00fcst\u00fc ara\u015ft\u0131rma belgeseli ve alt\u0131 k\u0131sa film ile gazetecilerin kat\u0131ld\u0131\u011f\u0131 paralel bir sempozyum d\u00fczenlendi ve y\u00f6netmenler projelerinin arkas\u0131ndaki teknikleri ve zorluklar\u0131 tart\u0131\u015ft\u0131.<\/p>\n

Y\u00fcksek mahkeme yarg\u0131\u00e7lar\u0131n\u0131n davalar\u0131 nas\u0131l y\u00f6netecekleri konusunda mafya patronlar\u0131na dan\u0131\u015fmalar\u0131, h\u00fck\u00fcmet yetkililerinin soru\u015fturmalar\u0131n\u0131n hedeflerine gazetecilerin ev adreslerini if\u015fa etmesi ve devlet istihbarat\u0131n\u0131n \u00e7er\u00e7eveledi\u011fi s\u0131radan gen\u00e7ler gibi bir\u00e7ok film, herhangi bir demokraside d\u00fc\u015f\u00fcn\u00fclmemesi gereken fenomenlerin kan\u0131tlar\u0131na yer verdi. Belgesel projeler son y\u0131llarda d\u00fcnya \u00e7ap\u0131nda demokrasi ve insan haklar\u0131nda endi\u015fe verici bir kaymay\u0131 yans\u0131t\u0131yor.<\/a><\/p>\n

Myanmar Diaries<\/a>‘in yap\u0131mc\u0131s\u0131 Corinne van Egeraat<\/a>, ” Myanmar vatanda\u015flar\u0131ndan \u00f6\u011frendi\u011fim \u015fey, demokrasiye sahip olman\u0131n nas\u0131l bir his oldu\u011funu ve sonra demokrasinin tekrar elinden al\u0131nmas\u0131n\u0131n nas\u0131l bir his oldu\u011fu” dedi. Myanmar Film Collective’in bu filmi, 1 \u015eubat 2021’de bir askeri darbenin k\u0131r\u0131lgan temsili h\u00fck\u00fcmetini sona erdirmesinden bu yana Asya \u00fclkesindeki ya\u015fam\u0131 ve direni\u015fi ortaya \u00e7\u0131kard\u0131.<\/p>\n

Festival, bu temayla ilgili olarak \u00e7evrim i\u00e7i sohbet gruplar\u0131ndaki g\u00f6r\u00fc\u015fleri nedeniyle s\u0131radan gen\u00e7 Ruslar\u0131n cezai kovu\u015fturmas\u0131n\u0131 belgeleyen \u201c The New Greatness Case \u201d<\/a>i ve hem ara\u015ft\u0131rmac\u0131 muhabir J\u00e1n Kuciak’\u0131n suikast\u0131n\u0131 ara\u015ft\u0131ran \u201c The Killing of a Journalist \u201d<\/a>i se\u00e7ti. Slovakya’da ve h\u00fck\u00fcmetine bula\u015fan mafya tarz\u0131 yolsuzluk konusu yer al\u0131yor.<\/p>\n

Double Exposure’un kurucusu ve e\u015f direkt\u00f6r\u00fc Diana Jean Schemo, \u201cFestivaldeki bir dizi belgesel demokrasilerin kendi y\u0131k\u0131mlar\u0131na tan\u0131k olmas\u0131yla ilgili oldu\u011funu fark ettik\u201d dedi. \u201cB\u00f6yle b\u00fcy\u00fck bir de\u011fi\u015fikli\u011fi, insanlar\u0131n onunla ba\u011fda\u015ft\u0131rabilece\u011fi \u015fekilde nas\u0131l yakalars\u0131n\u0131z?\u201d<\/p>\n

\u201cMyanmar G\u00fcnl\u00fckleri\u201dnin a\u00e7\u0131l\u0131\u015f sahnesi, sars\u0131c\u0131. 1 \u015eubat 2021’deki enerjik bir aerobik s\u0131n\u0131f\u0131n\u0131n ev yap\u0131m\u0131 g\u00f6r\u00fcnt\u00fcleri, arka planda, h\u00fck\u00fcmeti devirmek i\u00e7in \u015fehre giren askeri ara\u00e7lar\u0131 da yakal\u0131yor. Film, takip eden aylarda cuntan\u0131n uygulad\u0131\u011f\u0131 \u015fiddet ve bask\u0131 g\u00f6r\u00fcnt\u00fclerinin yan\u0131 s\u0131ra, aniden kapanan bir toplumda kitlesel protestolar\u0131, sivil itaatsizli\u011fi ve \u00e7ok ki\u015fisel hikayeleri de belgeliyor. S\u0131radan sakinlerin, kom\u015fular\u0131n\u0131n tutuklanmas\u0131n\u0131 protesto etmek i\u00e7in mutfak pencerelerinin d\u0131\u015f\u0131nda y\u00fcksek sesle tencerelere vurduklar\u0131n\u0131 g\u00f6steriyor.<\/p>\n

Bat\u0131l\u0131 izleyiciler i\u00e7in \u201cMyanmar G\u00fcnl\u00fckleri\u201d ayn\u0131 zamanda toplumlar\u0131n\u0131n kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 ba\u015fka sorunlar ne olursa olsun, demokratik \u00f6zg\u00fcrl\u00fcklerin ger\u00e7ekte ne kadar iyi ve k\u0131r\u0131lgan oldu\u011funun \u00f6nemli bir hat\u0131rlat\u0131c\u0131s\u0131n\u0131 temsil ediyor.<\/p>\n

Hollandal\u0131 film yap\u0131mc\u0131s\u0131 Van Egeraat, \u201cKocam ve ben 2012’den 2017’ye kadar Myanmar’da ya\u015fad\u0131k, demokrasiye ge\u00e7i\u015f hakk\u0131nda filmler yapt\u0131k ve gen\u00e7 film yap\u0131mc\u0131lar\u0131na e\u011fitim vermeye ba\u015flad\u0131k\u201d dedi. \u201cDaha \u00f6nce \u00f6zg\u00fcrl\u00fc\u011f\u00fc hi\u00e7 deneyimlememi\u015f gen\u00e7lerin etraf\u0131nda olmak harikayd\u0131. \u0130nternet \u00fclkeyle yeni tan\u0131\u015fm\u0131\u015ft\u0131; orada insan u\u00e7u\u015flar\u0131 film festivali bile vard\u0131. Ama darbe g\u00fcn\u00fcnden beri askeri cunta kendi halk\u0131n\u0131 ter\u00f6rize ediyor.\u201d<\/p>\n

Navalny’nin Hapishanede G\u00f6rd\u00fc\u011f\u00fc Zul\u00fcm<\/h4>\n

DX Sempozyumunda Daniel Roher zulme u\u011frayan Rus muhalefet lideri hakk\u0131nda CNN’de festival \u00f6ncesi 12 Ekim’de\u00a0 \u201c Navalny \u201d belgeselinin g\u00f6sterimini i\u00e7eren\u00a0 bir paneli y\u00f6netti. Panelistler aras\u0131nda, GIJN’nin 2021’de g\u00f6r\u00fc\u015ft\u00fc\u011f\u00fc<\/a> Alexey Navalny’nin Yolsuzlukla M\u00fccadele Vakf\u0131’n\u0131n ba\u015f ara\u015ft\u0131rmac\u0131s\u0131 Maria Pevchikh de vard\u0131.<\/p>\n

Film, ara\u015ft\u0131rmac\u0131 gazetecilerin Rus h\u00fck\u00fcmetinin 2020’de Navalny’yi zehirlemek i\u00e7in kimyasal silah kullan\u0131m\u0131na kar\u0131\u015fmas\u0131n\u0131 ortaya \u00e7\u0131karmak i\u00e7in kulland\u0131klar\u0131 baz\u0131 teknikleri \u00f6zetliyor.<\/a><\/p>\n

Festivaldeyken, Pevchikh, Navalny’nin birden fazla uydurma su\u00e7lamayla 11 y\u0131ldan fazla hapis cezas\u0131na \u00e7arpt\u0131r\u0131lmas\u0131n\u0131n ard\u0131ndan, Navalny’nin maksimum g\u00fcvenlikli bir Rus hapishanesinde g\u00f6rd\u00fc\u011f\u00fc muameleye ili\u015fkin canl\u0131 bir g\u00fcncelleme de yapt\u0131. \u201cBirka\u00e7 g\u00fcn \u00f6nce h\u00fccre hapsinden serbest b\u0131rak\u0131ld\u0131 ancak d\u00fcn bir hapishane \u00e7itini y\u0131kamay\u0131 reddetti\u011fi i\u00e7in ceza h\u00fccresine g\u00f6nderildi\u201d dedi. “Zaten 43 g\u00fcn\u00fcn\u00fc bir ceza h\u00fccresinde ge\u00e7irdi, iki metreye \u00fc\u00e7 metre, elinde bir kupa, bir kitap ve s\u0131rt\u0131 olmayan bir tabureden ba\u015fka bir \u015fey yok. Dinlenemedi\u011fi yatak bile sabah 6’dan itibaren zincirlenmi\u015f durumda. Hapishane \u00fcniformas\u0131 ona k\u00fc\u00e7\u00fck geldi\u011fi halde, hapishane \u00fcniformas\u0131n\u0131n bir d\u00fc\u011fmesi a\u00e7\u0131kt\u0131.\u201d<\/p>\n

Organize Su\u00e7 ve Yolsuzluk Raporlama Projesi’nin (OCCRP)<\/a> kurucu orta\u011f\u0131 ve \u201cBir Gazetecinin \u00d6ld\u00fcr\u00fclmesi\u201d projesinin orta\u011f\u0131 Drew Sullivan, filmin Slovakya vatanda\u015flar\u0131 ve gazeteciler i\u00e7in bir \u201cuyand\u0131rma \u00e7a\u011fr\u0131s\u0131\u201d olmas\u0131n\u0131 umdu\u011funu s\u00f6yledi. Gazeteci J\u00e1n Kuciak ve ni\u015fanl\u0131s\u0131 Martina Ku\u0161n\u00edrov\u00e1’n\u0131n 2018’de Slovakya’da \u00f6ld\u00fcr\u00fclmesinin ard\u0131ndaki ka\u00e7ak yolsuzlu\u011fu ortaya koyuyor.<\/p>\n

Sullivan, “Demokrasi bir bah\u00e7e gibidir ve bak\u0131lmas\u0131 gerekir\u00a0 ve bence Slovakyal\u0131lar bunu bir s\u00fcreli\u011fine unuttular” dedi. \u201cYa\u015fam standartlar\u0131 y\u00fcksekti ve bah\u00e7elerinin altlar\u0131nda \u00e7\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fc ve h\u00fck\u00fcmetlerini ger\u00e7ekten organize bir su\u00e7 \u00e7etesinin y\u00f6netti\u011fini anlamad\u0131lar, \u00fclkelerini sat\u0131yorlar.\u201d<\/p>\n

Demokrasinin \u00d6l\u00fcm\u00fcn\u00fc Belgelemek \u00dczerine \u0130pu\u00e7lar\u0131<\/strong><\/p>\n

\u201cDemokrasinin \u00d6l\u00fcm\u00fc\u201d belgesel panelinden ortaya \u00e7\u0131kan pratik ipu\u00e7lar\u0131ndan birka\u00e7\u0131:<\/p>\n