{"id":1323754,"date":"2021-01-06T01:09:05","date_gmt":"2021-01-06T06:09:05","guid":{"rendered":"https:\/\/gijn.org\/?p=1323754"},"modified":"2024-06-11T04:34:41","modified_gmt":"2024-06-11T08:34:41","slug":"5-yolsuzlukla-mucadele-belgeseli","status":"publish","type":"post","link":"https:\/\/gijn.org\/tr\/hikayeler\/5-yolsuzlukla-mucadele-belgeseli\/","title":{"rendered":"5 Yolsuzlukla M\u00fccadele Belgeseli"},"content":{"rendered":"

Pandemi, d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki film festivallerinin sanalla\u015fmas\u0131na tan\u0131kl\u0131k etti.\u00a0 Yaln\u0131zca yolsuzlukla m\u00fccadele konular\u0131 i\u00e7eren \u00e7al\u0131\u015fmalara odaklanan bir festival olan Films For Transparency (F4T) i\u00e7in durum buydu diyebiliriz. Uluslararas\u0131 \u015eeffafl\u0131k \u00d6rg\u00fct\u00fc taraf\u0131ndan d\u00fczenlenen festivalin Aral\u0131k 2020’de G\u00fcney Kore’de yap\u0131lmas\u0131 planlanm\u0131\u015ft\u0131 ancak sonra salg\u0131n patlak verdi yani d\u00fcnyadaki hemen hemen t\u00fcm di\u011fer konferanslar gibi \u00e7evrim i\u00e7i\u00a0 olarak d\u00fczenlendi. <\/a><\/p>\n

F4T\u2019nin ilk festivali 2016\u2019da Panama\u2019da d\u00fczenlendi; 2017’de Hamburg’da yap\u0131ld\u0131; ve 2018’de Kopenhag’da. F4T, lansman\u0131ndan bu yana, belgesel filmi d\u00fcnyan\u0131n en b\u00fcy\u00fck yolsuzlukla m\u00fccadele forumlar\u0131ndan birine d\u00f6n\u00fc\u015ft\u00fcrmek i\u00e7in Uluslararas\u0131 Yolsuzlukla M\u00fccadele Konferans\u0131 ile ortakl\u0131k kurdu.<\/a><\/p>\n

F4T’nin kurucusu ve y\u00f6neticisi Roberto Perez-Rocha, GIJN’e, “\u0130\u015fimizin merkezinde insan temas\u0131 oldu\u011fu i\u00e7in sanal hale getirmek zordu” dedi. Bununla birlikte, f\u0131rsatlar da bulduk. Bu sefer, \u00e7o\u011fu G\u00fcney Kore’ye seyahat edemeyecek daha fazla izleyiciye ula\u015ft\u0131k. Festivali demokratikle\u015ftirmenin bir yoluydu.<\/p>\n

Uluslararas\u0131 Yolsuzlukla M\u00fccadele Konferans\u0131<\/a>‘n\u0131 da y\u00f6neten Perez-Rocha, \u201cY\u00f6netmenlerle, eserlerin yaln\u0131zca g\u00fcndemdeki bir alanda de\u011fil, t\u00fcm festival i\u00e7in \u00e7evrimi\u00e7i olarak sunulaca\u011f\u0131 konusunda anla\u015ft\u0131k\u201d dedi. “Bu, daha geni\u015f kitlelere ula\u015fmam\u0131z\u0131 sa\u011flad\u0131.”<\/p>\n

\u0130\u015fte festival s\u0131ras\u0131nda sanal olarak g\u00f6sterilen en iyi ara\u015ft\u0131rmac\u0131 gazetecilik belgesellerinden baz\u0131lar\u0131.<\/p>\n

Radyo Sessizli\u011fi (Meksika)<\/strong><\/p>\n

\"\"

“Radio Silence” fragman\u0131ndan ekran g\u00f6r\u00fcnt\u00fcs\u00fc.<\/p><\/div>\n

Y\u00f6netmen Juliana Fangul’un y\u00f6netti\u011fi “Radio Silence”, Meksika’n\u0131n en g\u00fcvendi\u011fi gazetecilerden biri olan Carmen Aristegui’nin hikayesini anlatan bir belgesel. Aristegui,\u00a0 radyodan kovuldu\u00a0 ancak olu\u015fturdu\u011fu ba\u011f\u0131ms\u0131z platformla binlerce ki\u015fi onu takip etmeye ba\u015flam\u0131\u015f, kendisi de yolsuzluklar\u0131n \u00fczerine korkusuzca gitmeyi s\u00fcrd\u00fcrm\u00fc\u015ft\u00fc.<\/p>\n

Film, Aristegui\u2019nin Meksika\u2019daki bas\u0131n \u00f6zg\u00fcrl\u00fc\u011f\u00fc i\u00e7in verdi\u011fi m\u00fccadelenin hikayesini i\u00e7eriyor. Ancak \u00fclkedeki di\u011fer bir\u00e7ok muhabir i\u00e7in m\u00fccadele ayn\u0131 \u015fekilde s\u00fcr\u00fcyor. Meksika, \u00f6zellikle yozla\u015fm\u0131\u015f politikac\u0131lar\u0131n belirli su\u00e7 gruplar\u0131n\u0131 destekledi\u011fi eyaletlerde, genellikle organize su\u00e7 gruplar\u0131n\u0131 veya g\u00fc\u00e7l\u00fc politikac\u0131lar\u0131 rahats\u0131z etme riskini ta\u015f\u0131yan gazeteciler i\u00e7in d\u00fcnyadaki en tehlikeli yerlerden biri haline geldi.<\/p>\n

Belgeseli buradan izleyin.<\/a><\/p>\n

Kolektif (Romanya)<\/strong><\/p>\n

\"Resim:

Resim: Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p><\/div>\n

Alexander Nanau’nun y\u00f6netti\u011fi bu belgesel, Romanya’n\u0131n ba\u015fkenti B\u00fckre\u015f’te bir gece kul\u00fcb\u00fcnde meydana gelen \u00f6l\u00fcmc\u00fcl bir yang\u0131n\u0131n ard\u0131ndan yolsuzluk ve halk sa\u011fl\u0131\u011f\u0131 sahtekarl\u0131\u011f\u0131n\u0131 ortaya \u00e7\u0131karan bir grup ara\u015ft\u0131rmac\u0131 gazetecinin hikayesini anlat\u0131yor. Trajedi, \u00fclkenin ba\u015fbakan\u0131 Victor Ponta’n\u0131n istifas\u0131na yol a\u00e7arken, muhabirlerin Romanya’da \u015fok dalgalar\u0131 yaratt\u0131ktan sonras\u0131\u00a0 olanlara ili\u015fkin \u00f6nemli\u00a0 bulgular\u0131 i\u015fliyor.<\/p>\n

Film, Avrupa Film \u00d6d\u00fclleri’nin 2020 yay\u0131n\u0131nda Avrupa Belgesel \u00d6d\u00fcl\u00fc’n\u00fc ald\u0131. Ayr\u0131ca 2020 Sundance Film Festivali’nde g\u00f6sterildi ve k\u0131sa s\u00fcre \u00f6nce en iyi uluslararas\u0131 film dal\u0131nda Romanya’n\u0131n Akademi \u00d6d\u00fclleri’ne girdi. COVID-19\u00a0 ve a\u015f\u0131s\u0131n\u0131n halk sa\u011fl\u0131\u011f\u0131 \u00fczerinde ki etkilerinin konu\u015fuldu\u011fu bu g\u00fcnler i\u00e7in \u00f6zellikle izlenmesi gereken \u00f6nemli bir belgesel.<\/p>\n

Belgeseli buradan izleyebilirsiniz.<\/a><\/p>\n

 <\/p>\n

Amazon, Yeni Bir Minamata m\u0131? (Brezilya)<\/p>\n

\"\"<\/p>\n

 <\/p>\n

Brezilyal\u0131 Jorge Bodanzky taraf\u0131ndan y\u00f6netilen belgesel, \u015fiddetli c\u0131va zehirlenmesi vakalar\u0131n\u0131n onlarca y\u0131la yay\u0131ld\u0131\u011f\u0131 Minamata’y\u0131, Japonya’daki zararl\u0131 c\u0131va kirlili\u011fi ile kar\u015f\u0131la\u015ft\u0131r\u0131yor.\u00a0 Yani Brezilya Amazonunda \u015fu anda olanlarla kar\u015f\u0131la\u015ft\u0131r\u0131yor. Orada a\u011f\u0131r metaller ve \u00f6zellikle alt\u0131n madencili\u011fi i\u015flemlerinde kullan\u0131lan c\u0131va, b\u00f6lgede ya\u015fayan yerli halk\u0131n kan\u0131n\u0131 kirletiyor.<\/p>\n

Brezilya Amazonunda, yerli topraklar\u0131nda alt\u0131n madencili\u011fi yasakland\u0131. Yine de yasad\u0131\u015f\u0131 madencilik faaliyetleri \u00e7ok. Madencili\u011fin, e\u015fitsizlik ve s\u00f6m\u00fcr\u00fc gibi sosyal ve ekonomik sonu\u00e7lar\u0131 var ve Brezilya’n\u0131n en savunmas\u0131z gruplar\u0131ndan baz\u0131lar\u0131na sa\u011fl\u0131k sorunlar\u0131 yarat\u0131yor.<\/p>\n

Belgesel \u015fu anda yaln\u0131zca \u00e7evrim i\u00e7i film festivallerinde izlenebiliyor.<\/a><\/p>\n

Seksi Katiller\u00a0<\/strong>(Endonezya)<\/p>\n

\"\"

“Sexy Killers” belgeselinden ekran g\u00f6r\u00fcnt\u00fcs\u00fc.<\/p><\/div>\n

Dandhy indica Laksono ve Ucok Suparta’n\u0131n y\u00f6netti\u011fi bu belgesel, k\u00f6m\u00fcr madencili\u011fi end\u00fcstrisi, neden oldu\u011fu \u00e7evresel zarar ve farkl\u0131 madencilik i\u015fletmeleri ile Endonezya’n\u0131n siyasi se\u00e7kinleri aras\u0131ndaki ba\u011flant\u0131lar\u0131 konu al\u0131yor. K\u00f6m\u00fcr madencili\u011fi ile ili\u015fkili ormans\u0131zla\u015fma ve b\u00fcy\u00fck \u00f6l\u00e7ekli kaz\u0131lar, Borneo adas\u0131nda sel ve toprak kaymas\u0131 riskini \u00f6nemli \u00f6l\u00e7\u00fcde art\u0131rd\u0131. Ancak end\u00fcstrinin ada \u00fclkesinde siyasi etkisi var. Film, YouTube<\/a>‘a y\u00fcklenmeden \u00f6nce ilk olarak sivil toplum gruplar\u0131 ve \u00f6\u011frenciler i\u00e7in g\u00f6sterime girdi. 2021’in Ocak yani bu ay\u00a0 itibariyle 35 milyondan fazla izlendi.<\/p>\n

Belgeseli buradan izleyin.<\/a><\/p>\n

 <\/p>\n

Odun (Amerika Birle\u015fik Devletleri, Romanya, Peru)<\/strong><\/p>\n

\""Wood"

“Wood” belgeselinden ekran g\u00f6r\u00fcnt\u00fcs\u00fc.<\/p><\/div>\n

Monica L\u0103zurean-Gorgan, Michaela Kirst ve Ebba Sinzinger taraf\u0131ndan y\u00f6netilen bu belgesel, Washington DC merkezli \u00c7evre Ara\u015ft\u0131rma Ajans\u0131’n\u0131n y\u00f6netici m\u00fcd\u00fcr\u00fc Alexander von Bismarck’\u0131 konu al\u0131yor. Film yap\u0131mc\u0131lar\u0131, gizli kameralar kullanarak odun end\u00fcstrisine s\u0131z\u0131p; h\u00fck\u00fcmet ve \u015firket yolsuzluklar\u0131n\u0131 ortaya \u00e7\u0131karmak i\u00e7in yedi y\u0131ll\u0131k bir \u00e7abayla ortaya \u00e7\u0131kard\u0131klar\u0131 bir belgesel. Ortaya \u00e7\u0131kan \u00e7evresel gerilim, ara\u015ft\u0131rmac\u0131 gazetecilik ve uluslararas\u0131 casuslu\u011fun benzersiz bir kombinasyonu adeta! Rusya, Romanya ve Peru’daki yasad\u0131\u015f\u0131 a\u011fa\u00e7 kesimi end\u00fcstrilerindeki benzerlikleri g\u00f6steriyor ve izleyicilerden ucuz odunun ger\u00e7ek fiyat\u0131n\u0131 sorgulamalar\u0131n\u0131 istiyor.<\/p>\n

Belgeseli buradan izleyebilirsiniz.<\/a><\/p>\n

Films For Transparency 2020 Film Festivali’nde g\u00f6sterilen belgesellerin tam listesini okumak i\u00e7in buraya<\/a> t\u0131klay\u0131n\u0131z.<\/p>\n

\n

Andrea Arzaba<\/a> gazeteci ve GIJN\u2019nin \u0130spanyolca b\u00f6l\u00fcm\u00fc edit\u00f6r\u00fcd\u00fcr. Arzaba, hayat\u0131n\u0131 Latin Amerika ve ABD’deki Latinx topluluklar\u0131n\u0131n hikayelerini belgelemeye adam\u0131\u015ft\u0131r. Uluslararas\u0131 Kad\u0131n Medyas\u0131 Vakf\u0131 \u00fcyesi ve Transparency International\u2019\u0131n Gen\u00e7 Gazeteciler Program\u0131n\u0131n bir \u00fcyesi.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pandemi, d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki film festivallerinin sanalla\u015fmas\u0131na tan\u0131kl\u0131k etti.\u00a0 Yaln\u0131zca yolsuzlukla m\u00fccadele konular\u0131 i\u00e7eren \u00e7al\u0131\u015fmalara odaklanan bir festival olan Films For Transparency (F4T) i\u00e7in durum buydu diyebiliriz. Uluslararas\u0131 \u015eeffafl\u0131k \u00d6rg\u00fct\u00fc taraf\u0131ndan d\u00fczenlenen festivalin Aral\u0131k 2020’de G\u00fcney Kore’de yap\u0131lmas\u0131 planlanm\u0131\u015ft\u0131 ancak sonra salg\u0131n patlak verdi yani d\u00fcnyadaki hemen hemen t\u00fcm di\u011fer konferanslar gibi \u00e7evrim i\u00e7i\u00a0 […]<\/p>\n","protected":false},"author":3031180,"featured_media":1066001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"republication-tracker-tool-hide-widget":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[23206],"tags":[20000],"gijn_topic":[18932],"series":[],"gijn_language":[],"gijn_region":[],"class_list":["post-1323754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hikayeler","tag-peru-tr","gijn_topic-haberler-analizler"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1323754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/users\/3031180"}],"replies":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/comments?post=1323754"}],"version-history":[{"count":6,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1323754\/revisions"}],"predecessor-version":[{"id":1563780,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1323754\/revisions\/1563780"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/media\/1066001"}],"wp:attachment":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/media?parent=1323754"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/categories?post=1323754"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/tags?post=1323754"},{"taxonomy":"gijn_topic","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_topic?post=1323754"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/series?post=1323754"},{"taxonomy":"gijn_language","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_language?post=1323754"},{"taxonomy":"gijn_region","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_region?post=1323754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}