{"id":1322101,"date":"2021-02-13T15:28:54","date_gmt":"2021-02-13T20:28:54","guid":{"rendered":"https:\/\/gijn.org\/?p=1322101"},"modified":"2024-02-10T15:31:24","modified_gmt":"2024-02-10T20:31:24","slug":"ne-izlemeli-2021de-oscar-adayi-kisa-listesine-giren-belgeseller","status":"publish","type":"post","link":"https:\/\/gijn.org\/tr\/hikayeler\/ne-izlemeli-2021de-oscar-adayi-kisa-listesine-giren-belgeseller\/","title":{"rendered":"Ne \u0130zlemeli: 2021’de Oscar Aday\u0131 K\u0131sa Listesine Giren Belgeseller"},"content":{"rendered":"

\u015eili’deki bir huzurevindeki 80 ya\u015f\u0131ndaki bir casusun hikayesinden, ABD’nin Louisiana eyaletinde adalet i\u00e7in sava\u015fan bir ailenin hikayesine, 93. Akademi \u00d6d\u00fclleri’nin Belgesel Film kategorisinde 15 belgesel de\u011ferlendirilecek.\u00a0<\/a>\u00d6d\u00fcll\u00fc belgesel film yap\u0131mc\u0131s\u0131 ve gazeteci Carrie Lozano, GIJN’e \u015funlar\u0131 s\u00f6yledi: “Bu y\u0131l heyecan verici olan, \u00e7ok sanatsal ve yarat\u0131c\u0131 olanlardan do\u011fas\u0131 gere\u011fi daha ara\u015ft\u0131r\u0131c\u0131 olanlara sahip oldu\u011fumuz bir film yelpazesi var.” “Ayr\u0131ca, k\u00fcresel bir salg\u0131n s\u0131ras\u0131nda bu y\u0131l filmleri \u00e7\u0131karmak, devam etmek, s\u00fcrd\u00fcrme \u00e7abas\u0131n\u0131n fark\u0131nda olmak da \u00f6nemli.” Kazananlar, 25 Nisan’da Akademi \u00d6d\u00fclleri’nde canl\u0131 olarak yay\u0131nlanan etkinlikte a\u00e7\u0131klanacak.<\/p>\n

K\u0131sa listeye al\u0131nan belgeseller:<\/strong><\/p>\n

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\u201cAll In: The Fight for Democracy\u201d (United States)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc: Stacey Abrams in ALL IN \/Courtesy of Amazon Studios<\/p><\/div>\n

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Y\u00f6netmenli\u011fini ve yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 Liz Garbus ve Lisa Cort\u00e9s’in \u00fcstlendi\u011fi bu film, ABD’deki se\u00e7menlerin bast\u0131r\u0131lmas\u0131 ve buna kar\u015f\u0131 devam eden sava\u015fla ilgili. Film, belirli\u00a0 gruplar\u0131n oy kullanma haklar\u0131n\u0131\u00a0 engellemeye y\u00f6nelik \u00e7ok \u00e7e\u015fitli y\u00f6ntemlere detayl\u0131 olarak kaps\u0131yor. \u00d6rne\u011fin, ABD’nin baz\u0131 b\u00f6lgelerindeki ya\u015fl\u0131 Afrikal\u0131 Amerikal\u0131lar, \u00f6nceki se\u00e7imlerde oy kullanm\u0131\u015f olsalar bile\u00a0 do\u011fum belgesi istenerek oy kullanmalar\u0131 engellenebilir. Belgesel ayr\u0131ca, oy haklar\u0131na y\u00f6nelik ilerlemenin her a\u015famas\u0131nda b\u00fcy\u00fck zorluklara dikkat \u00e7ekiyor.<\/p>\n

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\u00a0\u201cBoys State\u201d (United States)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Bu film, ABD’nin Teksas eyaletinden s\u0131f\u0131rdan sahte bir h\u00fck\u00fcmet kurmak i\u00e7in bir araya gelen binlerce genci konu al\u0131yor. Jesse Moss ve Amanda McBaine taraf\u0131ndan y\u00f6netilen proje, bu gen\u00e7 siyasi organizat\u00f6rlerin toplu olarak kararlar almak ve en y\u00fcksek mevkiler i\u00e7in kampanya yapmak da dahil olmak \u00fczere \u00fcstesinden gelinmesi gereken engelleri kaps\u0131yor.\u00a0 Ayn\u0131 zamanda \u00e7a\u011fda\u015f erkeklik ve ergenlik mozai\u011fini temsil ediyor ve bir demokrasi in\u015fa etmenin temel zorluklar\u0131n\u0131 ortaya \u00e7\u0131kar\u0131yor.<\/p>\n

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\u201cCollective\u201d (Romanya)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Alexander Nanau’nun y\u00f6netti\u011fi bu belgesel, Romanya’n\u0131n ba\u015fkenti B\u00fckre\u015f’te bir gece kul\u00fcb\u00fcnde meydana gelen \u00f6l\u00fcmc\u00fcl yang\u0131n\u0131n ard\u0131ndan yolsuzlu\u011fu ortaya \u00e7\u0131karan bir grup ara\u015ft\u0131rmac\u0131 gazetecinin hikayesini anlat\u0131yor. Hikaye \u00fclkenin ba\u015fbakan\u0131 Victor Ponta’n\u0131n istifas\u0131na yol a\u00e7t\u0131. Film, Avrupa Film \u00d6d\u00fclleri’nde Avrupa Belgesel \u00d6d\u00fcl\u00fc’n\u00fc kazand\u0131. Ayr\u0131ca 2020 Sundance Film Festivali’nde g\u00f6sterildi ve yak\u0131n zamanda en iyi uluslararas\u0131 film dal\u0131nda Romanya’n\u0131n Akademi \u00d6d\u00fclleri’ne girdi.<\/p>\n

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\u201cCrip Camp\u201d (United States)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Bu film, engelli gen\u00e7lere y\u00f6nelik bir yaz kamp\u0131n\u0131n ABD’de bir sivil haklar zaferinin temelini nas\u0131l olu\u015fturdu\u011funu anlat\u0131yor. Belgesel, ellili y\u0131llar\u0131n ba\u015f\u0131nda New York eyaletinde engelli gen\u00e7ler i\u00e7in g\u00fcvenli bir alan olarak kurulan Camp Jened’e odaklan\u0131yor. Hikaye, eski bir kamp\u00e7\u0131n\u0131n aktivist yan\u0131n\u0131, hayat hikayesini ve yeteneklerini engellilerin hak kazan\u0131mlar\u0131 i\u00e7in nas\u0131l kulland\u0131\u011f\u0131na yer veriyor. Nicole Newnham ve James LeBrecht’in y\u00f6netti\u011fi belgeselde eski ABD Ba\u015fkan\u0131 Barack Obama ve eski First Lady Michelle Obama, Higher Ground Productions ba\u015fl\u0131\u011f\u0131 alt\u0131nda y\u00f6netici yap\u0131mc\u0131lar olarak yer al\u0131yor.<\/p>\n

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\u201cDick Johnson Is Dead\u201d (United States)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Bu belgesel, \u00f6l\u00fcm korkusu ve sevdiklerimizin ka\u00e7\u0131n\u0131lmaz kayb\u0131 hakk\u0131nda. Dick Johnson\u2019\u0131n k\u0131z\u0131 Kirsten Johnson’\u0131n y\u00f6netti\u011fi film, bunaman\u0131n trajedisini ve kay\u0131pla y\u00fczle\u015fmek i\u00e7in yeni yollar ar\u0131yor. Dick her zaman zeki ve nazik bir baba olmu\u015ftur, ancak demanst\u0131r. Durumu \u00fcz\u00fcc\u00fc olabilir, ancak film izleyicilere en zor zamanlarda g\u00fclme ve mizah duygusunu ve g\u00fcc\u00fcn\u00fc takdir etme f\u0131rsat\u0131 vererek, kontrol edilemeyen bir durum \u00fczerinde kontrol uygulaman\u0131n imkans\u0131z oldu\u011fu \u00f6nerisiyle biraz rahatl\u0131k sa\u011fl\u0131yor.<\/p>\n

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\u201cGunda\u201d (ABD and Norve\u00e7)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

“Gunda” Victor Kossakovsky taraf\u0131ndan y\u00f6netilen ve Joaquin Phoenix taraf\u0131ndan yap\u0131lan bir do\u011fa belgeseli. Siyah beyaz film bir domuz, iki inek ve tek bacakl\u0131 bir tavu\u011fun g\u00fcnl\u00fck ya\u015fam\u0131n\u0131 g\u00f6steriyor. \u0130nsan etkile\u015fimi olmadan, y\u00f6netmen \u00e7iftlik hayvanlar\u0131n\u0131n kendi g\u00fcndemlerini anlat\u0131r ve\u00a0 empati kurmay\u0131 sa\u011flar. Norve\u00e7, Britanya ve \u0130spanya’daki \u00e7iftliklerde \u00e7ekilen filmin pr\u00f6miyeri 2020’de Berlin Uluslararas\u0131 Film Festivali’nde yap\u0131ld\u0131.<\/p>\n

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\u201cMLK\/FBI\u201d (ABD)<\/strong><\/a><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Bu belgesel, FBI’\u0131n 1950’ler ve 1960’larda medeni haklar ikonu Dr. Martin Luther King’in g\u00f6zetimini ortaya \u00e7\u0131kar\u0131yor. Bilgi Edinme \u00d6zg\u00fcrl\u00fc\u011f\u00fc Yasas\u0131 arac\u0131l\u0131\u011f\u0131yla elde edilen belgelerin yan\u0131 s\u0131ra restore edilmi\u015f g\u00f6r\u00fcnt\u00fclerden de yararlan\u0131lan film, h\u00fck\u00fcmetin aktivistleri hedef alma ge\u00e7mi\u015fini ara\u015ft\u0131r\u0131yor. Belgeselin y\u00f6netmenli\u011fini Sam Pollard, yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 ise Benjamin Hedin \u00fcstlendi.<\/p>\n

\u201cThe Mole Agent\u201d (\u015eili)<\/strong><\/a><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Y\u00f6netmen Maite Alberdi, huzurevindeki bir casus hakk\u0131nda bir belgesel haz\u0131rlar. Film, bir huzurevinde annesinin rahat\u0131n\u0131 \u00f6nemseyen ve g\u00fcvenli\u011fini d\u00fc\u015f\u00fcnen endi\u015feli bir aile ile ba\u015flar. Bir m\u00fcfetti\u015f yard\u0131m i\u00e7in aran\u0131r,\u00a0 o da 83 ya\u015f\u0131ndaki Sergio’nun yard\u0131m\u0131n\u0131 ister. Ger\u00e7ekte, i\u00e7eride gizli bir casus olur kendisi. Belgesel, site sakinleriyle ili\u015fkisi derinle\u015ftik\u00e7e Sergio’nun g\u00f6revini izliyorsunuz. Sonu\u00e7, \u015eili’deki ya\u015fl\u0131lar\u0131n ihtiya\u00e7lar\u0131 hakk\u0131nda bilgi sunan benzersiz bir belgeseldir .<\/p>\n

\u201cMy Octopus Teacher\u201d (G\u00fcney Afrika)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

James Reed ve Pippa Ehrlich’in y\u00f6netti\u011fi belgesel, G\u00fcney Afrikal\u0131 film yap\u0131mc\u0131s\u0131 Craig Foster’\u0131n hayata yeniden ba\u011flanma yolculu\u011funu konu al\u0131yor. Foster, y\u0131llarca \u00e7ok h\u0131zl\u0131 bir i\u015f hayat\u0131ndan sonra kendini bitmi\u015f ve mutsuz buluyor. Foster, belgesel \u00e7ekerken tan\u0131\u015ft\u0131\u011f\u0131 Kalahari’nin San halk\u0131 \u00f6rne\u011fi ard\u0131ndan, do\u011fal d\u00fcnyay\u0131 dikkatle incelemeye ba\u015fl\u0131yor. Foster’a g\u00f6re G\u00fcney Afrika\u2019n\u0131n g\u00fcney k\u0131y\u0131lar\u0131ndaki so\u011fuk sulardaki yosun ormanlar\u0131, zihninin arzulad\u0131\u011f\u0131 s\u0131\u011f\u0131na\u011f\u0131 ve gizemi sunuyor. Haftalarca g\u00f6zlemledikten sonra esrarengiz bir yarat\u0131kla kar\u015f\u0131la\u015f\u0131yor: s\u0131radan bir ahtapot. Birka\u00e7 ay i\u00e7inde onun g\u00fcvenini kazand\u0131, av\u0131n\u0131 izledi ve avlanmas\u0131n\u0131 izledi.<\/p>\n

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\u201cNotturno\u201d (\u0130talya)<\/a><\/h4>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Y\u00f6netmen Gianfranco Rosi, devrime, istilaya, darbeye ve I\u015e\u0130D’e katlanan insanlara samimi bir bak\u0131\u015f a\u00e7\u0131s\u0131 getiriyor. \u00dc\u00e7 y\u0131l boyunca \u00e7ekilen bu geni\u015f belgesel, Irak, K\u00fcrdistan, L\u00fcbnan ve Suriye s\u0131n\u0131rlar\u0131na yak\u0131n kasabalarda ya\u015fam\u0131 g\u00f6steriyor. Venedik Film Festivali’nde en iyi \u0130talyan Filmi \u00f6d\u00fcl\u00fcn\u00fc kazanan ve Toronto Uluslararas\u0131 Film Festivali, Telluride Film Festivali ve New York Film Festivali taraf\u0131ndan se\u00e7ilen \u201cNotturno\u201d nefes kesici sinematografisiyle bir dizi ele\u015ftirmen taraf\u0131ndan \u00f6vg\u00fcyle kar\u015f\u0131land\u0131.<\/p>\n

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\u201cThe Painter and the Thief\u201d (ABD)<\/strong><\/a><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Norve\u00e7li y\u00f6netmen Benjamin Ree, bir sanat\u00e7\u0131 ile \u00e7al\u0131\u015fmas\u0131n\u0131 \u00e7alan h\u0131rs\u0131z aras\u0131ndaki ili\u015fkiye yer veriyor. Ressam, \u00c7ek ressam Barbora Kysilkova, h\u0131rs\u0131z Karl-Bertil Nordland’\u0131n pe\u015findeyken, onun \u00e7al\u0131\u015fmas\u0131n\u0131 neden birinin \u00e7almak istedi\u011fini\u00a0 anlamak ister. The Painter and the Thief”, Sundance Film Festivalinde Yarat\u0131c\u0131 Hikaye Anlatma dal\u0131nda D\u00fcnya Sinemas\u0131 Belgesel J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc kazand\u0131.<\/p>\n

\u201c76 Days\u201d (\u00c7in, ABD)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Y\u00f6netmen Hao Wu’nun y\u00f6netti\u011fi belgesel, \u00c7in’in Wuhan kentinde koronavir\u00fcs pandemisinin \u00f6n saflar\u0131nda yer alan d\u00f6rt hastanede \u00e7ekildi. “76 G\u00fcn”, ilk g\u00fcnlerinde COVID-19 ile m\u00fccadele eden hastalar\u0131n ve t\u0131p uzmanlar\u0131n\u0131n m\u00fccadelelerini anlat\u0131yor. En hareketli g\u00f6r\u00fcnt\u00fclerden baz\u0131lar\u0131, deneyimsiz hem\u015firelerin uzun saatler boyunca \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 ve hastalar\u0131n hastane giri\u015flerini doldurdu\u011funu, hastane dolduktan sonra i\u00e7eri al\u0131nmayaca\u011f\u0131ndan korktuklar\u0131n\u0131 g\u00f6steriyor. Film pandemiye daha geni\u015f bir ba\u011flam sunmuyor, ancak y\u00f6netmenin g\u00f6stermeyi ama\u00e7lad\u0131\u011f\u0131 \u015fey hastanelerdeki insan deneyimleri – art\u0131k d\u00fcnyan\u0131n her yerinde \u00e7ok tan\u0131d\u0131k olan sahneler.<\/p>\n

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\u201cTime\u201d (ABD)<\/strong><\/a><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Garrett Bradley taraf\u0131ndan y\u00f6netilen bu film, hapisteki kocas\u0131n\u0131n \u015fartl\u0131 tahliyesini anlatan 20 y\u0131ll\u0131k bir m\u00fccadeleyle kar\u015f\u0131 kar\u015f\u0131ya kalan bir kad\u0131n\u0131 konu al\u0131yor. Hayatlar\u0131n\u0131n umutsuz bir d\u00f6neminde banka soymak i\u00e7in\u00a0 giri\u015fimde bulunan Fox ve Rob \u00e7iftinin hikayesini anlat\u0131yor. Fox \u00fc\u00e7 y\u0131l hizmet ederek, Rob \u015fartl\u0131 tahliye olas\u0131l\u0131\u011f\u0131 olmaks\u0131z\u0131n 60 y\u0131l hapis cezas\u0131na \u00e7arpt\u0131r\u0131ld\u0131. Fox serbest b\u0131rak\u0131ld\u0131ktan sonra, sonraki yirmi y\u0131l\u0131n\u0131 alt\u0131 erkek \u00e7ocuk yeti\u015ftirirken Rob’u serbest b\u0131rakmak i\u00e7in \u00e7al\u0131\u015farak ge\u00e7irdi. Bu film, ABD’de Louisiana hukuk sistemine kar\u015f\u0131 \u00e7\u0131kan ve galip gelen bir ailenin destan\u0131.<\/p>\n

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\u201cThe Truffle Hunters\u201d (ABD, \u0130talya, Yunanistan)<\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

Gregory Kershaw ve Michael Dweck’in bu filmi, erkeklerin pop\u00fcler beyaz Alba tr\u00fcf\u00fcn\u00fc avlad\u0131\u011f\u0131 \u0130talya ormanlar\u0131nda ge\u00e7iyor. Tr\u00fcf mantar\u0131 bug\u00fcne kadar, yeti\u015ftiricilikte modern y\u00f6ntemlere direndi. Film, nesillerden nesile aktar\u0131lan e\u011fitimler hakk\u0131nda daha fazla bilgi edinmek i\u00e7in e\u015fsiz bir f\u0131rsat. Ve anlam\u0131n basit aray\u0131\u015flarda olabilece\u011fini \u00f6ne s\u00fcr\u00fcyor.<\/p>\n

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\u201cWelcome to Chechnya\u201d (ABD)<\/a><\/strong><\/p>\n

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Ekran g\u00f6r\u00fcnt\u00fcs\u00fc<\/p>\n

David France taraf\u0131ndan y\u00f6netilen ve 2017’den 2019’a kadar \u00e7ekimi s\u00fcren film, \u00c7e\u00e7enya’daki LGBTQ kar\u015f\u0131t\u0131 bask\u0131 kurbanlar\u0131n\u0131 kurtarmak i\u00e7in \u00e7al\u0131\u015fan bir grup Rus aktivisti konu al\u0131yor. Belgesel, zul\u00fcm g\u00f6ren insanlar\u0131n ve yard\u0131m etmek i\u00e7in kendilerini tehlikeye atanlar\u0131n hikayesini anlat\u0131yor. Pr\u00f6miyerini 2020 Sundance Film Festivali’nde yapt\u0131 ve ge\u00e7en y\u0131l 70. Berlin Uluslararas\u0131 Film Festivali’nde g\u00f6sterildi.<\/p>\n

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<\/p>\n

Andrea Arzaba <\/a><\/strong>gazeteci ve GIJN\u2019in \u0130spanyolca B\u00f6l\u00fcm\u00fc Edit\u00f6r\u00fc. Bir muhabir ve medya profesyoneli olarak Arzaba, hayat\u0131n\u0131 Latin Amerika’daki insanlar\u0131n ve ABD’deki Latinx topluluklar\u0131n\u0131n hikayelerini belgelemeye adam\u0131\u015ft\u0131r. Georgetown \u00dcniversitesi’nden Latin Amerika \u00c7al\u0131\u015fmalar\u0131 alan\u0131nda y\u00fcksek lisans derecesine sahip. Andrea, Uluslararas\u0131 Kad\u0131n Medya Vakf\u0131 ve Transparency International\u2019\u0131n Gen\u00e7 Gazeteciler Program\u0131n\u0131n \u00fcyesidir.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u015eili’deki bir huzurevindeki 80 ya\u015f\u0131ndaki bir casusun hikayesinden, ABD’nin Louisiana eyaletinde adalet i\u00e7in sava\u015fan bir ailenin hikayesine, 93. Akademi \u00d6d\u00fclleri’nin Belgesel Film kategorisinde 15 belgesel de\u011ferlendirilecek.\u00a0\u00d6d\u00fcll\u00fc belgesel film yap\u0131mc\u0131s\u0131 ve gazeteci Carrie Lozano, GIJN’e \u015funlar\u0131 s\u00f6yledi: “Bu y\u0131l heyecan verici olan, \u00e7ok sanatsal ve yarat\u0131c\u0131 olanlardan do\u011fas\u0131 gere\u011fi daha ara\u015ft\u0131r\u0131c\u0131 olanlara sahip oldu\u011fumuz bir film […]<\/p>\n","protected":false},"author":3031180,"featured_media":1070335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"republication-tracker-tool-hide-widget":false,"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"categories":[23206],"tags":[],"gijn_topic":[18932],"series":[],"gijn_language":[],"gijn_region":[],"class_list":["post-1322101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hikayeler","gijn_topic-haberler-analizler"],"acf":[],"ticketed":false,"_links":{"self":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1322101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/users\/3031180"}],"replies":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/comments?post=1322101"}],"version-history":[{"count":1,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1322101\/revisions"}],"predecessor-version":[{"id":1322102,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/posts\/1322101\/revisions\/1322102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/media\/1070335"}],"wp:attachment":[{"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/media?parent=1322101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/categories?post=1322101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/tags?post=1322101"},{"taxonomy":"gijn_topic","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_topic?post=1322101"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/series?post=1322101"},{"taxonomy":"gijn_language","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_language?post=1322101"},{"taxonomy":"gijn_region","embeddable":true,"href":"https:\/\/gijn.org\/tr\/wp-json\/wp\/v2\/gijn_region?post=1322101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}