Global Investigative Journalism Network (https://gijn.org/category/methodology/)
The war in Syria has dragged on for a decade, which has led to more than six million people being displaced within the country’s borders, and a similar number have fled the country as refugees. But what has happened to the money raised to help rebuild the country? Journalist Mohammed Bassiki dug deep into the documents and followed the money trail to find out.
There is a huge amount of data available on pollution and disease caused by the Matanza River – widely known as River Riachuelo – the problem was transforming it into information that those affected could easily understand. In a special multimedia report, La Nación used open data and data visualization to illustrate the extent of the problem.
Egyptian traffic cops found a mobile launcher lying in a piece of pile near the airport of Cairo. The story was quickly dismissed by Egyptian media. But others believed it. In this detective & research adventure recorded by web research specialist Henk van Ess, you’ll learn how to find the truth midst of an information war.
Transnational investigations pose a different set of additional challenges. Coordinating journalists across borders, who have different priorities, and making them work as if they were sitting in the same newsroom, is not an easy task. Here are some lessons Investigate Europe has to share based on their experience.
From GIJN’s earliest days, its global community has been rooted in a collaborative and generous spirit, with journalists around the world sharing ideas, sources, and stories. To help deal with the growing demand for assistance, GIJN has created a formal Help Desk to better marshal its resources and tap the expertise of its global network. The staff reached out to hundreds of trainers and experts who have spoken at GIJN conferences to create an international database of experts on investigative and data journalism.
When the president of the parliament states that there are some MPs “doing nothing,” you know what to do as a data journalist: you turn to the numbers. This is how I did that and how I got a scatter plot in a printed paper and an interactive one online.
At First Draft, we frequently receive emails from a whole range of people asking how they can start doing the sort of online open-source investigation and verification that they’ve seen us doing. The skills and methodologies used are all something that can be learnt through a little persistence, but here are a few pieces of advice to get you started.
When Gustavo Cerati, a legendary Argentinian musician and songwriter, was asked to share his best advice for new musicians, he refused—saying instead that “experiences are not transferable.” You may agree or may not with his statement, but if you’ve ever worn an Oculus Rift or a similar virtual reality (VR) headset, you’ll know we are getting closer and closer to transferable experiences.
Isn’t the best journalism always immersive? Whether it’s Walter Kronkite’s journalistic take on history “You are There” from the 1950s or Declan Walsh’s mobile phone reporting from Syria in June, the best journalism makes you feel like you are part of the story. You care what happens. Virtual Reality is a powerful tool in making journalism more immersive to its readers and increasingly it’s becoming an essential part of the journalist’s toolkit. There are great examples of reporters using VR, such as the work of VR pioneer Nonny de la Peña, The Guardian’s 6×9 exploration of solitary confinement, or the Berliner Morgenpost’s exploration of life as a refugee.
Mexican newspaper El Universal has put a face to the 4,534 women who have gone missing in Mexico City and the State of Mexico over the last decade: Ausencias Ignoradas (Ignored Absences) aims to put pressure on the government and eradicate this situation.
In an extract from his book Finding Stories with Spreadsheets Paul Bradshaw explains how to use basic cleaning functions in spreadsheets to make it easier to combine data, including a case study where the same functions were used to speed up a research process for a story.
